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United States
35 PostsWhen you are using two floggers in conjunction, either simultaneous or alternating, would cause a heightened sensation from a normal flagellation. With a single flogger, there will always be a pause as the next strike is aligned. This can create a wonderful rhythm giving a bit of recover time.

 

I find that ambidexterous flagellation piles the single rhythm so while one whip is recovering, the other is striking. Yes, this decreases the recover time for the 'target,' however it will also allow for the thrower to double the physical contact. Through less force, the thrower can increase contact and impact on the 'target' while having more flexibility as to the areas of impact and rhythm.

Though learning it is tough, using it is easy as it flows with your body motion. You can rain down 40 strokes in the time it took to land 10, having the strikes follow the heart beat.

Alternatively, you can go slower, using the sensuality of music or the simple swoosh of the tails flit against the skin, dancing with licks on the flesh. Though it is visually impressive, the 'target' will feel an increased sensation of either the massage or pummelling.

As for how fast sub-space is reached depends on the sub. If they react to pain, then you would know that once a level is achieved, keeping that pace would send them over. Instead of tiring one arm, use two. If a lighter touch is wanted, then the same goes. You can keep the same intensity with two arms as they will tire long after a single arm will.

Intensity is the key, from my experience, to florentine. Just as throwing one whip is versitile in the varying ways it can be used, think of two thrown the same together or both varying in force.

Just remember to have plenty of liquid available as both you and the bottom will be quite thirsty.

I find that ambidexterous flagellation piles the single rhythm so while one whip is recovering, the other is striking. Yes, this decreases the recover time for the 'target,' however it will also allow for the thrower to double the physical contact. Through less force, the thrower can increase contact and impact on the 'target' while having more flexibility as to the areas of impact and rhythm.

Though learning it is tough, using it is easy as it flows with your body motion. You can rain down 40 strokes in the time it took to land 10, having the strikes follow the heart beat.

Alternatively, you can go slower, using the sensuality of music or the simple swoosh of the tails flit against the skin, dancing with licks on the flesh. Though it is visually impressive, the 'target' will feel an increased sensation of either the massage or pummelling.

As for how fast sub-space is reached depends on the sub. If they react to pain, then you would know that once a level is achieved, keeping that pace would send them over. Instead of tiring one arm, use two. If a lighter touch is wanted, then the same goes. You can keep the same intensity with two arms as they will tire long after a single arm will.

Intensity is the key, from my experience, to florentine. Just as throwing one whip is versitile in the varying ways it can be used, think of two thrown the same together or both varying in force.

Just remember to have plenty of liquid available as both you and the bottom will be quite thirsty.

 

United States
573 PostsYou just described one of my very favorite flogging techniques.
i have a beautifully balanced and matched set of elk floggers
that i bought especially for this purpose.
For me, flogging is just about like deep tissue massage,
guaranteed to get me all warm and floaty and revved up to take more.
The heavier, the thuddier, the better.
i can take stingy and zappy later on.
And the steady ryhthm that can be attained with the Florentine/ figure 8 technique
is pretty much trance inducing.
i find that after a 5 -10 minute warm up of this technique,
i can go farther and take much more pain and intensity.
When i meet a Top who knows what to do with my twin treasures
(and i ain't talking about my bewbs here) i practically melt
and just grin in anticipation.


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